“My paintings invite viewers to imaginatively participate; like looking at the clouds and seeing the head of a lion,” says Kevin Archer of his abstract paintings – better described as freeze frame images of moving paint.
Archer creates his master pieces via the exploration of liquid animation, quintessentially a process of manipulating wet paint into more wet paint. His canvases are a saturation of colors that intertwine with one another rhythmically; the actively flying and floating biomorphic forms are suggestive of human, animal, and microcosmic shapes. They are busy colliding, overlapping, and engaging each other in an imaginary landscape space, frozen in a moment of time.
Perhaps, the biggest draw to Archer’s paintings is the multiple detailed vignettes that come into play when one takes a closer look at each of his creations. Consequently, welcoming the viewer to experience the dynamic aspects of the work – the paintings also encourage engagement, making them an interactive visual coalesce. Due to the purely abstract nature of his work, the viewer’s experience of the piece is constantly changing; this unique dialogue between the admirer and the canvas can be rightfully termed as ephemeral. The paintings can be experienced as meditations in color, form, and energy, as well as compositional arrangements of suggestive imagery. The imagery in the paintings invites an imaginative participation, a moment in which the viewer is propelled into a cosmic ultra-world of color. In essence Archer’s work serves as an oxymoronic experience – the paintings represent a freeze frame of a moment in time; however the viewer’s experience is anything but static.
Archer has taken time to master his process of creation. According to Bill Lowe, “Archer’s work has a universal appeal; his luxurious application of paint creates enigmatic undulations of color on the canvas and almost always lures the admirer in for a closer look.” Bill Lowe Gallery has proudly showcased his work for more than a year, and we are excited for our patrons to experience his work once more as it will be exhibited alongside Pierre-Marie Brisson’s on the 4th of April 2014.