Matisse

In the Mood of Matisse – Afterglow

 

In The Mood of Matisse 04/04/2014

In The Mood of Matisse 04/04/2014

Matisse would have been proud of his namesake event that took place at the gallery on the 4th of April 2014. Bill Lowe Gallery hosted an exhilarating evening reception that showcased the work of Parisian painter Pierre-Marie Brisson in his southern debut.  The whimsically named event, “In the Mood of Matisse,” was a kinetic interaction of the multi-faceted crowd punctuated by colorful conversations that seemed to reflect the jubilation of Brisson’s vibrant figurative and organic patterns.  The diverse crowd savored exceptional food and wine as they were enchanted by the artist’s explanation of his work and his world, which centers in the South of France.

In the words of Goethe, “Thinking is more interesting than knowing, but less interesting than looking.” Gallery patrons inspected the meticulously crafted archaeology of Brisson’s work, only to stand in awe moments later once they comprehended the history that informed his work.  It was at this point that Brisson would connect with them and explain his inspiration behind the work.  He took great joy in learning from his admirers what they thought of the paintings, and what it meant to them.

World renowned art critic, Donald Kuspit, commetnts that “Brisson’s works have a certain classical calm and completeness even as they are informed by a modernist aesthetic. Brisson has roots in both the French decorative tradition, with what might be called its grand sensuous manner, and in modernist Primitivism, with its aggressive emotionality and forthright expressiveness.”  He goes on to say, “Brisson’s dancers are not Degas’ “little rats” nor Matisse’s naked “rustics,” not vulgar urban dancers struggling to be theatrically suave, nor percussive and perverse Stravinsky-like orgiasts; but rather figures who are not entirely at home in their white dresses – suggesting their purity and innocence – nor in their naked flesh, for they have been “corrupted,” as it were by Western ideal of dance art.”

Brisson combines various elements of life, which we have all observed in different moments. Yet, except through his art, never before have they been experienced at a single instant and place. His motifs imbue the awesomeness of the natural world and the unfinished continuum of human history, continuing to unfold.  With their well-aged patina and Mediterranean glow, Brisson’s works are reminiscent of the fresh, early frescos from Pompeii and offer viewers a site of visual pleasure, existing across time.  The harmony and vision of Brisson’s work continues to transcend modes of contemporary culture while carrying the air of  an old world aesthetic.  A master of unearthing the primordial instincts of freedom and expression, Brisson’s work will continue to fascinate and delight the fancy in all of us and grant reverence to the human spirit.  Atlanta’s euphoric embrace of Brisson’s “In the Mood of Matisse” underscored the Southern sensibility of his work as it forged a unique bridge between  the classic and the contemporary.

Pierre Marie Brisson – In the Mood of Matisse 04/04/14

Parisian Painter Pierre-Marie Brisson Channels the “Mood of Matisse” to Southern Sensibilities with Atlanta Debut on 04-04-14 at Bill Lowe Gallery

Pierre Marie Brisson - Welcome Mixed Media on Canvas 59x69"

Pierre Marie Brisson – Welcome, Mixed Media on Canvas 59×69″

Bill Lowe Gallery is proud to present a breathtaking compilation of new works by internationally-acclaimed French painter Pierre-Marie Brisson.  Brisson’s southern debut follows the smashing success of his shows in San Francisco and New York and opens on Friday, 04-04-14, from 6PM to 9 PM.

Pierre-Marie Brisson was born in Orleans, France in 1955, and works out of his studio in the South of France. Brisson was initially intrigued by art at the tender age of fourteen.  Though he worked in a variety of non art positions, he eventually devoted his life to his passion for contemporary art.  Brisson studied with painter Bernard Saby during his teenage years, and then settled in Paris in 1979 to study with James Coignard, Antoni Clave, Joan Miro, and Antoni Tapies. These influences are apparent in his painting style, which is often compared to cave painting.

The simplicity of the images used are intended to contrast with the textured elements in his work, to give the impression of being both timeless as well as chic and current. Brisson’s work is held in the private collections of the Fine Arts Museum of San Francisco, San Francisco Museum of Art, Fort Lauderdale Jewish Museum, New York’s George Page Museum, Paris’ Bibliotheque Nationale, Paris Musee de la Poste, Paris Pushkin Museum, Moscow’s Musee Faure, haute couture Paris Groupe Cartier, and the Argentina Musee de L’Hospice Saint-Roch, among many others.

Prominent gallerist Bill Lowe of Bill Lowe Gallery comments that “Brisson’s works capture the imagination of an immense audience that is inspired by their aura of European art history conveyed with an invigorated freshness.  The works possess a uniformly exquisite topography or surface development that underscores the classical lineage of the imagery in these icons to love and a joie de vivre.”